Monthly blog archive

About operaman

Name

Stephen Llewellyn

Bio

Stephen Llewellyn worked with Portland Opera for nearly four years and still produces this blog on a weekly basis. You may see him manning the Portland Opera table at the Metropolitan Opera High Definition transmissions where he enjoys chatting with like-minded Saturday morning opera fans. Do stop by and say 'hello'. He has been a barrister in Hong Kong, a professional folk singer and classically-trained tenor. He makes a mean zabaglione, and cries easily and frequently at opera performances.

Opera and Other Links

The Rest is Noise - Alex Ross of the New Yorker

Sieglinda's Diaries

Parterre Box

Opera Chic

On an Overgrown Path

Norman Lebrecht

Metropolitan Opera

Jessica Duchen

Dramma per Musica

think denk

Anne Midgette

The Omniscient Mussel

Northwest Reverb

Là ci darem la mano

Turn to the Music
 

What I Am Reading


In Patagonia (Bruce Chatwin)

Memoirs (Da Ponte)

The Librettist of Venice (Bolt)

Ship Fever (Andrea Barrett)

Le Grand Meaulnes (Alain-Fournier)

Beethoven. Letters, Journals and Conversations

The Cuckoo's Egg (Cliff Stoll)

The Mauritius Command (O'Brian)

 

What I am listening to as I write this week's post...


Nixon in China (new recording)

Vanessa (Barber)

John Martyn

Leon Redbone Christmas Album

Christmas With The Yours (Elio)

Mozart Requiem (arr. for String Quartet)

Tosca (Callas)

Till Eulenspiegel (Strauss)

Mostly Mozart

Benjamin Franklin playing his Glass ArmonicaAlles gute zum Geburtstag, Herr Mozart!

Last Wednesday was the 254th anniversary of the birth of Johannes Chrysostomus Wolfgangus Theophilus Mozart, better known to us today as Wolfgang Amadeus Mozart (Amadeus being the Latin equivalent of Theophilus which means 'beloved of God'). Bob Kingston and I sat down that morning at Jake's Grill and chatted about Mozart's opera Così fan tutte which opens at the Keller Auditorium on Friday. I also got to talk about the opera's librettist, Lorenzo da Ponte - a man who lived an extraordinarily colourful and fascinating life. As usual, we videoed our gab-fest for your edification, and here are the results.

Thanks, Bob!



Erratum: Da Ponte's father converted to Catholicism in order to marry his second wife (not Lorenzo's mother who had died.) I took home the books Bob loaned me and had finished The Librettist of Venice by Rodney Bolt within twenty-four hours. Fascinating stuff! Next up, Da Ponte's own memoirs.


Okay, the Age of Enlightenment had its downside
We've all done it, right? Sat in a classy restaurant, licked our forefinger and rubbed it gently around the rim of one of the expensive and partly-full wine glasses sitting before us and, to the annoyance of other diners sitting close by and, entirely ignoring or oblivious to, the embarrassment of our guests/hosts, produced the kind of sound calculated to set off both car alarms and neighbourhood dogs. It took the genius of Benjamin Franklin to see the inherent possibilities in such a method of producing sound. While in England in 1761 he saw a diner ratchet the whole concept up a notch by putting different amounts of wine in different glasses, thereby producing different notes, while being pelted with bread rolls by other patrons.* Franklin, much impressed, went away and formalised the entire process, taking thirty-seven hemispheres of glass of varying size and thickness, linking them together, designed a way to make them spin, painting them different colours and, using his moistened fingers (there was no way to improve on that bit), 'played' the glasses, each of which produced a different note. As horse-drawn carriages had no anti-theft alarms, Franklin had to cope only with choirs of howling canines and developed the instrument to the point where he was able to take it to dinner parties and entertain his friends. This would produce conversations along the lines of:

Her: "Mr Franklin is coming tonight, dear."
Him: "If he's bringing that ******* glass thing I shall dine at my club!"

Franklin called his invention the Glass Armonica. I suspect he was living in the East End of London where it was - and remains - customary to drop one's aitches. A passer-by, upon hearing the instrument probably remarked "Wassat, Mr F? Some sorter 'armonica?" and so the instrument came to be named. Be that as it may. The point is, who should stumble upon this contraption but good old Wolfi Mozart, who was so impressed by the thing he actually wrote for it! You think I jest? Just press the start button below and you will see I lieth not.


So the next time you are in a Michelin three-star, have the sommelier bring you thirty seven wine glasses and give it a go. You know everyone will love it! The photo at the top of this post is of Franklin playing his instrument. I have Photoshopped out the bread rolls.*

* Okay, I lied about the bread rolls.

I'll post more here on Thursday, after I have seen the Final Dress Rehearsal of Così. Then, Friday is opening night. I hope you have as fun a week as I expect to!

Be happy and productive.